{"@context":{"dc":"http:\/\/purl.org\/dc\/elements\/1.1\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skos:broader":{"@type":"@id"},"skos:inScheme":{"@type":"@id"},"skos:related":{"@type":"@id"},"skos:narrower":{"@type":"@id"},"skos:hasTopConcept":{"@type":"@id"},"skos:topConceptOf":{"@type":"@id"}},"@id":"http:\/\/www.musigrafia.org\/tesauro\/es\/?tema=1971","@type":"skos:Concept","skos:prefLabel":{"@language":"es","@value=":"Isira"},"skos:inScheme":"http:\/\/www.musigrafia.org\/tesauro\/es\/","dct:created":"2011-08-01 10:13:02","dct:modified":"0000-00-00 00:00:00","skos:scopeNote":[{"@lang":"es","@value":"Su uso es fundamental en la actividad del sham\u00e1n en la\u00a0comunicaci\u00f3n con el mundo sobrenatural. Fuente:\u00a0Los instrumentos musicales en Colombia\u00a0autor:\u00a0\u00a0BERM\u00daDEZ,\u00a0Egberto,\u00a0Bogot\u00e1, Universidad Nacional de Colombia, 1985 pg 22"}],"skos:broader":["http:\/\/www.musigrafia.org\/tesauro\/es\/?tema=1970"]}