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</topic><topic id="http://www.musigrafia.org/tesauro/es/?tema=3877"><instanceOf><topicRef xlink:href="#term"/></instanceOf><baseName><baseNameString>Cabeza y pie forzados</baseNameString></baseName>  <occurrence>    <instanceOf>      <topicRef xlink:href="#scope-note"/>    </instanceOf><baseName><baseNameString><![CDATA[ <p><strong><u>Pie forzado</u></strong></p>
<p>Aretz (1986), puntualiza que existen dos formas para realizar un <strong>contrapunteo: de pie forzado o encadenado </strong>“en el primer caso los cantores deben terminar las estrofas siempre con un mismo verso. En el encadenado, el último verso de la primera estrofa sirve de principio para la segunda, y así sucesivamente” (p.163). Para finalizar el contrapunteo, el público o el jurado calificador es quien decide cuál de los cantantes elaboró de mejor manera los versos y se proclama el ganador del combate. Sin embargo, hay ocasiones en las que, por el tema tratado, no se establece un triunfador en el enfrentamiento. Siempre será ganador el folklore venezolano.</p>
<p><u>Fuente</u></p>
<p>Tomado de Manual de Folklore venezolano de Isabel Arest. Monte Avila editores. 6ª reimpresión 1986. Documento disponible en <a href="https://fdocuments.in/document/manual-del-folklore-isabel-aretz.html">https://fdocuments.in/document/manual-del-folklore-isabel-aretz.html</a> recuperado el 15 de septiembre de 2020.</p> ]]></baseNameString></baseName>  </occurrence></topic>  <association>    <instanceOf>      <topicRef xlink:href="#broader-narrower"/>    </instanceOf>    <member>      <roleSpec>  <topicRef xlink:href="#narrower"/>      </roleSpec>      <topicRef xlink:href="#http://www.musigrafia.org/tesauro/es/?tema=3877"/>    </member>    <member>      <roleSpec>  <topicRef xlink:href="#broader"/>      </roleSpec>      <topicRef xlink:href="#http://www.musigrafia.org/tesauro/es/?tema=3868"/>    </member>  </association></topicMap>